Some of you seem to be curious about DSLR cameras when this topic is brought up during the last meeting.

So, what exactly are DSLR cameras?

DSLR cameras – otherwise known as Digital Single Lens Reflex- is the type of cameras that most professional photographers use as compared to a Point-and-Shoot (PnS) camera. So, are DSLR cameras better than PnS cameras? Personally, I will say yes and no. Below are some disadvantages and advantages of DSLR cameras (I understand that this is not Photo IG, but it will be good to know as it will help you immensely in your editorial work):

Disadvantages: DSLR Camera

• It’s heavy: DSLR cameras are heavy. It is not for people who wish to travel light. Most of you probably wouldn’t pack a DSLR when travelling hundreds of miles, although travellers who love travel photography wouldn’t mind clocking miles with a DSLR, due to some advantages, which we will discuss below.
• It’s costly: DSLR camera – on the whole- is not cheap. In recent years, this has been changing, with prices dropping gradually. In fact, the technologies of conventional PnS and DSLR cameras are converging for some brands, which make DSLR affordable. Even then, the price is still considered quite steep for most brands.
• “Live-view” function: All if not most PnS camera users have the luxury of having a “live-view” function on your cameras. What does “live-view” mean? It refers to the little screen that you see at the back of the camera when taking photos, such that camera users need not manually look through the view-finders in their cameras when taking photos. Do note that some DSLR photographers prefer to snap shots using the view-finder over the “live-view” function and of course, they love the shutter sound, which is often absent in PnS cameras but makes photo-taking so satisfying.
• It’s complicated: DSLR cameras have some complicated (but interesting) functions and  features, such as sophisticated ISO settings, aperture adjustments, shutter speed, depth of field (DOF), white colour balance, different lens, multiple accessories (which includes the classic tripod] and tons of stuff that will scare any new photographers away. Personally, I will advise all of you not to worry about this, since most DSLR camera have specific functions for specific purposes (e.g. “Portrait” mode, “Nature” mode, “Sports” mode etc). However, if you really want to learn photography, I will recommend the ”Manual” mode. When we use this mode, we will make lots of mistakes and experience lots of disappointments. But this is the natural cycle of learning photography, as in most things in life. Having said that, do use selected modes when capturing photos for events as we usually do not have the time to make the appropriate adjustments using the “Manual” mode to increase the photo’s aesthetics value.
• Sensor dust: Since most DSLR cameras allow the use of various lenses, constant change of lens is the norm for DSLR photographers. However, in the midst of changing the lenses, the interior circuitry of the DSLR camera is usually exposed, thus providing opportunities for dust to seep in. Over time, DSLR photographers will find that there are “spots” in their images, which can only be removed using image editing programs or a more effective solution will be sending your camera for regular servicing and maintenance.

Now, we have reached the interesting segment:

Advantages: DSLR camera

• Wide variety of lenses: Unlike PnS cameras, DSLR cameras enable its users to select and change the lenses of their preferences. Most DSLR cameras have a wide range of lenses, ranging from zoom lenses to telephoto lenses to prime lenses to wide-angle lenses to macro lenses. This increases the flexibility of DSLR photographers when it comes to capturing images and allows these photographers to take more creative shots. To illustrate my point, take a photo of a printed piece of patterned paper using a PnS camera at very close range. You will probably get a very blurred shot. You will probably not see the patterns clearly. Now if you use the right lens (in this case, a macro lens) with a DSLR camera, you will get a very clear shot, and you can see the patterns clearly.
•  High-resolution image: Images captured by DSLR cameras usually have very high resolution. Usually, you should be able to develop up to at least A3 in size. Of course, there are variations, depending on the lens and the megapixels of the camera.
• Images are captured instantaneously: Personally, I feel that this is the best edge that DSLR cameras have over PnS cameras. DSLR cameras capture images once the button is clicked. For PnS cameras, there is a few seconds’ lag time. Most PnS camera instruction manuals will recommend pressing the button halfway for the camera to self-focus before pressing the button fully for the shot. This takes time and if you are an enthusiast of portraiture photography, the expression on the subject’s face that you want to capture would have been lost by then. DSLR cameras provide the advantage of the instant capturing of images with all adjustments made. DSLR also has something known as “FPS”, which basically means Frames per Second (FPS). This refers to the number of shots that a DSLR camera can take within a second, which usually range between 3-10 FPS. This is useful when capturing “in-the-moment” shots and sports. 
• More control: Remember that one of the disadvantages of DSLR cameras is their complexity in their functions as mentioned above? We can see this in a more positive light. While it takes time to master all the functions and features of a DSLR camera (yes, the learning curve is steep initially), I will advise that you make the effort to learn them well, since mastering these aspects of DSLR cameras gives you more control over photography. PnS cameras may beat DSLR cameras in terms of convenience and user friendliness but they will probably never beat DSLR cameras in terms of control. If you are an aspiring photographer who want to go professional, it will be great to get a DSLR camera and use it on “Manual” mode. Of course, PnS is still the preferred choices of most consumers primarily due to the ease of us and convenience.
• Stronger flash:  PnS cameras come equipped with a fixed flash. Try taking a shot of the buildings from across the street during any festive seasons in the late evening and you will see the limitations of the fixed flash. Try capturing images of performances on stage with a PnS camera and you will see similar limitations. DSLR cameras come equipped with a flash but it’s not strong either. But, for DSLR cameras, you are able to fix a bigger flash (in recent years, flashes are going remote as well, but for a higher price, of course) that is able to capture the night scenes well. This makes all the differences.

Still curious about the advantages and disadvantages of PnS cameras and DSLR cameras? Then it will be good to read an article by clicking here. I find it to be a very well-written piece.

All right, below are three more photos that might be of interest to you:

• Francisco Gonzalez Carbonell’s “Entre Amigos” (Please click here for the image):  Remember the times when you are taking photos of someone but the sun is behind the person, and thus their faces are in the shadows? Most photographers consider this as a mistake. But this photo informs us otherwise. Through the use of silhouettes, a photo can stand out as well.  This technique is useful when the identities of the subjects are not important or obvious, but the outlines tell us something. As photographers, we can make use of silhouttes to juxtapose the outline of the subjects with the skyline, as shown in this photo. However, it is important to note that the background colour must contrast strongly with black (which is the colour of the silhouette).  In this case, the photo works because black contrasts strongly with orange. If the sky is grey in colour, there may be an issue.  This photo will probably not stand out in this case. If this photo is in black and white, it will probably not look good as well. 

Situations when the use of silhouttes is useful:

ü  When the identity/facial features of the subject(s) is not important

ü  When the outlines of the subjects are important in the visual message that you are giving your viewers. For instance, it can be observed that the outlines of the three individuals in the photo “Entre Amigos” indicates a man, a lady and an unidentified figure when seen from left to right.  However, viewers should be able to interpret these individuals as a family watching the sunset. Being right when interpreting a photo is not important. What’s important is the fact that through the use of silhouttes, the photographer is given his or her viewers an opportunity to interpret it. This is important.

ü  When brightness contrasts strongly with darkness/shadows.

ü  When you want to project mysteriousness. Remember how frightening it is to watch movies where characters are seen shrouded in shadows? You can also use this technique to create a certain serious/sombre mood for the image.

• Eugenio Eugenio’s Photo (Please click here for the image):  Sometimes, it’s good to place a subject of interest in the focus while shooting a picture, as shown in this image. It can be anything. While this photographer positions himself in a kind of container while taking this shot, it need not always be the case, as illustrated by this photo here (where the front of a boat is used in the foreground instead).

Putting an object of interest in the foreground is useful for the following reasons:

ü  Emphasis on the object of interest in the foreground

ü  Relating the object in the foreground to the objects of interest further away (as shown in this image here). What message is this photographer trying to tell his/her viewers?

ü  It creates a “first-person” perspective on the viewers, thus bringing the existence of the photographer into the viewers’ awareness. This photo-taking technique is useful to photographers when they wish to put the viewer into a particular scenario. In this example, when you look at the first photo, you will experienced a somewhat claustrophobic feel while for the second photo, you will feel as if you are in the boat with the photo, following the boat in front of you. In another words, this photo-taking technique actually adds a sense of realism to what you are seeing. Another example will be Thibault Gregoire’s “smiling sunday” here, where viewers almost experienced the same emotional intensity as the photographer as the boy rush towards him/her with delight and exhilaration.

• Eugenio Eugenio’s Photo (Please click here for the image): Another technique often employed by photographers is what I call the “tunnel” technique, whereby the left and right border of the frame is occupied by some architectural structures, with the top frame often being covered as well. This photo-taking technique seeks to draw the viewers’ attention and focus within the confined space in the middle of the frame, as shown in this photo. When one looks at the photo it almost seems that there is a distance that goes way beyond the photo, as if we are able to walk right into it. To photographers, this is known as adding “depth” to the picture. Do note that this photo also plays with light and shadows, and displays a stark contrast of dilapidation against modernity.

We can often see this technique being employed on singer’s/band’s albums where the singers/artistes are often seen standing, sitting, squatting against the side of a wall, alternating between the left and right, between the foreground, “middle ground” and background. Thus, this photo-taking technique breaks the image into 3 planes of reference: in front, middle and at the back, this placing more emphasis on the distance.

Exercise 1 (Silhouettes): All right, now is the time for some practice. Try to capture objects of your interest in shadows with bright backdrops. Experiment with the effects and see what happens. Which is the best angle? Why? Can you achieve the same effect with another shot using the technique that you have identified earlier? Now, try capturing the silhouettes of people. What happen? Does it work? What do the outlines of the people tell you?

Exercise 2 (Observing cinematography in movies): Now, I will like you to watch movies. And when you watch movies the next time, observe the cinematography, which is defined as “the art or technique of movie photography, including both the shooting and development of the film” by theFreeDictionary.com While most of us have the tendency to draw a line between video and photography, this is a wrong thing to do. Photography is merely a stilled image of a video, yes? I believe this is how movie stills which are often used for publicity are created.

So, watch more movies and observe – not the entire but specific scenes – which you may find memorable. Watch these specific scenes repetitively. What makes them memorable to you? Movie posters are also a good source of inspiration for photography, although most of them have been edited. You can click here for some examples of movie posters. Click on this movie poster here.

Exercise 3 (Placing object(s) in the foreground): Try practising taking images while placing objects in the foreground. You can even try snapping pictures through hollow containers and behind tree trunks. Experiment with the angles and determine how much space within a single frame that you want the object in the foreground to take.  Try taking various images and have fun! Examine the photos afterwards and see if pictures interest you more. It will be good to ask yourself why this is so.

Exercise 4 (Tunnel Concept): Try to capture pictures within a confined space on the left and right frame (with the top covered as well, preferably). You can also experiment with light and shadow here. Maybe the tunnel in the middle of the frame is dark while the outside is bright, like this (Giuseppe Pasquali’s “Crossing the Bridge (Venice – Ponte della Paglia)”) and this (Giuseppe Pasquali’s “(Nuovo) Cinema Paradiso – San Pietro”). 

Exercise 5 (Interior Structures): Practice taking photos of the interior of architectural structures. It is often dark inside and bright outside. What angle and images can you capture that will create an impact on your viewers. Are you able to send a message to your viewers with just one photo while evoking their emotions? If you are able to master this, you will have already mastered the art of photojournalism.

Some photography Tips:

• Always charge your batteries the day before the photo shoot
• Always format your CF card/ Memory stick etc before every photo shoot
• Always keep your camera in a dry and safe place. Moisture kills the lenses.
• Do not try to determine your shots when snapping photos. Prioritise your gut feel over any form of technical precision. It often happens that our best shots are usually taken candidly, although extreme care in technicalities does result in some great shots as well
• Always take photos with no pressure (such as time constraints etc). Just take the full day and enjoy the shoot. You can cultivate a habit of taking a photo per hour, per day etc. This will help you to improve your photography skills
• Learn image editing skills (in Photoshop etc). Even great photographers makes some mistakes at times, and technology – in this case- is every digital photographer’s saving grace